"After Photography" examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photos of news events taken by ordinary people on mobile phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to explore the possibili...(展开全部)

"After Photography" examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photographs of news events taken by ordinary people on mobile phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to explore the poss...(展开全部)

In "Photography After Frank," former "New York Times" writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leap...(展开全部)

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium Appeals to people interested in artist's use of photography and in contemporary art Tracks the efflorescence of photography as one of the most important mediums for contempor...(展开全部)

吉姆·斯通(Jim Stone)，美国新圣西哥大学摄影专业教授，美国马萨诸塞艺术委员会及美国国家艺术基金会大奖获得者。作品曾被纽约现代艺术博物馆、美国国家艺术馆、汉堡工艺美术馆等多家艺术机构收藏。著有A User’s Guide tothe VieW Camera，DarkPoom Dynamlcs A Short Course in Photography，Photography及三本个人摄影集 Stranger ThanFiction，Historiostomy，Why My Pictures are Good.

An inclusive introduction to photography that elucidates the multiple, dynamic roles and character of this art form, both historically and today. Photography has a complex relationship to art. This volume uses an innovative framework to help readers appreciate photography as its own modern art form. In his unique and insightful approach, professor of photography David Bate pres...(展开全部)

吉姆·斯通(Jim Stone)，美国新圣西哥大学摄影专业教授，美国马萨诸塞艺术委员会及美国国家艺术基金会大奖获得者。作品曾被纽约现代艺术博物馆、美国国家艺术馆、汉堡工艺美术馆等多家艺术机构收藏。著有A User’s Guide tothe VieW Camera，DarkPoom Dynamlcs A Short Course in Photography，Photography及三本个人摄影集 Stranger ThanFiction，Historiostomy，Why My Pictures are Good.

拉兹洛·莫霍利-纳吉（1895—1946)，是20世纪杰出的前卫艺术家之一。曾任教于早期的包豪斯，奠定三大构成基础，强调理性、功能，他在学术上对表现、构成、未来、达达和抽象派兼收并蓄，以各种手段进行拍摄试验。最为突出的研究是以光、空间和运动为对象。他曾以透明塑料和反光金属为实验材料，创作“光调节器”雕塑。

拉兹洛·莫霍利-纳吉（1895—1946)，是20世纪杰出的前卫艺术家之一。曾任教于早期的包豪斯，奠定三大构成基础，强调理性、功能，他在学术上对表现、构成、未来、达达和抽象派兼收并蓄，以各种手段进行拍摄试验。最为突出的研究是以光、空间和运动为对象。他曾以透明塑料和反光金属为实验材料，创作“光调节器”雕塑。